Commentary
Franz Wickhoff, An die Leser!, Kunstgeschichte Anzeigen, Vol. 1, 1904, pp.1-2.
Wilhelm Pinder, Einleitende Worte, Kritische Berichte, Vol. I, 1927/8, pp.1-2.
Julius von Schlosser, “History of Style” and “History of Language” of Fine Art An important essay by Gombrich’s teacher, Sitzungsberichte der Bayerischen Akademie der Wissenschaften Philosophisch-historische Abteilung, Vol. 35 (1), 1935.
Hans H. Aurenhammer, Bibliographie zur Wiener Schule
Wilfrid Blunt, Review of The Story of Art, The Burlington Magazine, April, Vol. 92, 1950, pp.117-8.
William Skyvington, On the arrow symbol, with a letter to Gombrich and his reply (1976)
Elizabeth J. Sacca, An interview with Ernst H. Gombrich part 1: interview, Canadian Review of Art Education Research, Vol. 6&7, 1980/1, pp.15-27.
E. J. Sacca with Loren Lerner, An interview with Ernst H. Gombrich part 2: annotated bibliography of Gombrich’s publications, Canadian Review of Art Education Research, Vol. 6&7, 1980/1, pp.104-135.
E. J. Sacca with Loren Lerner, An interview with Ernst H. Gombrich part 3: reviews of Gombrich’s work, Canadian Review of Art Education Research, Vol. 6&7, 1980/1, pp.136-47.
Guy Sorman, Les vrais penseurs de notre temps
Carlos Montes Serrano, La historia de The Story of Art. Algunos recuerdos del profesor Ernst H. Gombrich, Revista: Atlántida, Vol. 2, 1991, pp.482-8.
Ladislav Kesner, On alien art and experiencing art fully: Gombrich – Kesner correspondence, Umení, Vol. XLII, 1994, pp.107-115.
Inmaculada Jiménez, 6 p.m. Briardale Gardens, maestro Gombrich, nuestro tiempo, 1997.
Richard Gregory, Master Scholar – Sir Ernst Gombrich – at ninety, Perception, Vol. 28, 1999.
James Putnam, Images of the soul: Interview, La Repubblica of the Arts
James Elkins, Ten Reasons Why E. H. Gombrich Is Not Connected to Art History
Gerry Bell, Ten Reasons Why E. H. Gombrich Remains Central to Art History
Ian Verstegen, Gombrich Making Historical What he Said he Could Theoretically
Vicenç Furió, Gombrich y la Sociología del arte
Teresa del Conde, Ernst Gombrich, Anales del Instituto Investigaciones Esteticas, Vol. 79, 2002, pp.229-246.
Martin Warnke, Zur Neuauflage von Ernst H. Gombrichs, Die Zeit, Vol. 26, 2002.
Tom Sperlinger, ‘A time capsule’: E.H. Gombrich’s The Story of Art, The Reader, Spring, 2003.
Núria Llorens, Qu’est-ce que «le primitif»? Gombrich y La preferencia por lo primitivo, Locus Amoenus, Universitat Autònoma de Barcelona, Vol. 7, 2004, pp.291-300.
Loretta Vandi, Gombrich’s Legacy. Art History as Embodiment of Values
Stephen Snyder, Language in Art: Gombrich’s History of Representation and the Breakdown of Visual Communication Paper presented at XXVII International Congress for Aesthetics, Ankara, July 2, 2007.
I saperi di Ernst Gombrich: Teoria del visibile e analisi dell’arte, Venice, March 2009
Gombrich-Symposion Greifswald, 30-31 March 2009
E. H. Gombrich: a centenary colloquium, Warburg Institute, London, 19-20 June, 2009.
Glasgow Colloquium on Viennese Art Historiography, Department of History of Art, University of Glasgow, 2-3 October 2009
Karen Lang, Sir Ernst Gombrich and the barber from Tuscany, Human Affairs, Vol. 19 (3), 2008, pp.259-265.
Christopher S. Wood, Art History Reviewed VI: E. H. Gombrich’s Art and Illusion: A Study in the Psychology of Pictorial Representation’, 1960, The Burlington Magazine, December 2009, CLI
